The Maly Drama Theatre of St Petersburg’s stage adaptation of Life and Fate, Vasily Grossman’s epic novel about the holocaust, the second world war and Stalinism, above all brings hope for the future.
The play, being shown this month (in Russian, with English captions) at the Theatre Royal in London, portrays the darkest days of 20th century European history. What conveys hope is how determinedly its director, Lev Dodin, and its cast stare Soviet history in the face.
The impact was especially forceful last week, when Russian officialdom was as usual celebrating the “great patriotic war” with vast, aggressive displays of military hardware (on 9 May, the anniversary of the defeat of Nazi Germany).
Russian and Ukrainian friends have been sharing on social media, with horror, photos and video clips of kindergarten children, encouraged by teachers and parents to parade with models of tanks, armoured cars and heavy weapons. (See for example videos here from Piatagorsk, or here from Krasnodar.) All while real Russian bombs are killing kindergarten children in Syria. …
But that’s only one Russia. The Maly Drama Theatre reminds us of another, where past wars are not justified or reproduced, but thought about, along with the repression and prison camps that accompanied them. Such thought is a precondition for making a future without any of these things.
The Theatre has put on its adaptation of Grossman’s masterpiece every year since 2007. It was developed out of a theatre school course taught by Lev Dodin, the theatre’s director. (He talked in an interview at the time about how that happened. See below.)
Life and Fate was written in the 1950s, suppressed in Soviet times, and published in Switzerland in 1980 and Moscow only in 1988. It is set in 1943, when the battle of Stalingrad turned the tide of the Read the rest of this entry »